About


Education


Slade School of Art
University of Westminster
Polytechnic of Central London
University of Birmingham
Bournville College of Arts and Crafts

Solo Exhibitions

2015

Project for an Unidentified Political Object, IMT Gallery, London

2014

Heaven’s Gate, IMT Gallery, London

2013

The Milky Way, Centre for Contemporary Art Sacramento, California

2011

Love is Colder than Death, IMT Gallery, London

2007

Pencil Drawing, Centre for Drawing Research, London

1998

A collection I things I found while wandering through the late days of September, Schloss Solitude Galerie, Stuttgart

1998

Between Resonance, The Garten Gallery, Darmstadt International Music Festival

Group Exhibitions

2017

You Were High When I Was Doomed, IMT Gallery, London

2016

Between Resonance, at Sliding Sonorities with Krystyna Bobrowski, The Centre For New Music, San Francisco

2015

Signal, at Art & Labour, curated by The Modern Language Experiment, Sluice 2015, Oxo Tower, London

2014

Glad-Hand Broken, at Time Document, curated by The Eddie the Eagle Museum, Tolhuistuin, Amsterdam

2013

Attachment, curated by Mark Jackson, IMT Gallery, London

2012

Working Trace, curated by Iona Roisin and Will Peck, Centre for Drawing Research, London

2011

Anschlüssel London/Berlin, curated by Andrew Hewish, Fruehsorge Contemporary Drawings, Berlin

2011

Filmarmalade Presents, curated by Karl England and Ben Street, Sluice, London

2010

Cardboard Folly, curated by Emily Speed, Bluecoat Gallery, Liverpool

2010

Archivausstellung, curated by Kaiwan Mehta, Schloss Solitude Galerie, Stuttgart

2008

Salon 08, Vine Space, London

2008

Editions, Centre for Drawing Research, London

2004

Unoccupied Territories, K&S Galerie, Berlin, Germany

2001

Solitude im Solitude, Musée d'art Moderne, Saint-Etienne, France

2000

Solitude im Solitude, Staatsgalerie Stuttgart, Germany

1992

Door, 14 Great Charles Street, Mayfair, London

1992

Two Hundred and Fifty Three Door Handles, 23 Westbourne Park Road, London



Publications

2015

Spine, in, Atlas, edited by Jean-Baptiste Joly, Edition Solitude, Stuttgart

2015

| |, in, The Journal of Visual Art Practice, edited by Andrew Hewish, published by Intellect, Bristol

2013

World Series, in, What is an Art Book?, edited and published by The Modern Language Experiment, London

2012

Campaign, in, Monaco 5, edited and published by Katie Guggenheim, London

2012

Rue des Martyrs [revisited], in, In Cold Blood, published by Marmalade, Publishers of Visual Theory, London

2012

Ships Log, in, Sluice 2012, edited by Karl England and published by Sluice, London

2011

By Dint of a Coarse Inscription, in, Monograph on Thomas Müller, edited by Andrew Hewish, published by The Centre For Recent Drawing, London

2010

The Incredible Simultaneity Console, in, Monaco 2, edited and published by Katie Guggenheim, London

2010

Without Residue, in, Cardboard Folly, edited and published by Emily Speed, Liverpool

2010

| |, in, Lexikons der Sperrigen Wörte, edited by Florian Hoellerer and Jean-Baptiste Joly, published by Edition Solitude and Merz Academy, Stuttgart

2005

Untitled, in, Miser Now magazine, published by Keith Talent Gallery, London

2005

Untitled, in, Hultsbruk Ready-Maids, edited by Sara Preibsch, published by Marmalade, London and Solitude Editions, Stuttgart

2000

Rue des Martyrs, in, Solitude Im Solitude, published by the Staatsgalerie, Stuttgart and Hadje Cantz

2000

For Thomas Reinke and Sara Preibsch (but I guess for different reasons), in, Academy Schloss Solitude yearbook 5

1998

Dreck, essay and drawings, in, Hfg Ulm: program wird bau, edited by Marcella Quijano, published by Stadt Museum, Ulm and Edition Solitude, Stuttgart



Artists Books

2014

Le Petite Mort, edited by Gordon Shrigley, published by Marmalade, Publishers of Visual Theory, London

2013

My New Green Dress had a Dinosaur on the Front Wearing Pink Plastic Glasses, edited by Gordon Shrigley, published by Marmalade, Publishers of Visual Theory, London

2012

In Cold Blood, edited by Gordon Shrigley, published by Marmalade, Publishers of Visual Theory, London

2006

Max Bill: Hfg Ulm, book of drawings, co-authored with Thomas Reinke, published by Marmalade, London

2004

Spatula, How Drawing Changed the World, edited by Gordon Shrigley, published by Marmalade, London

1998

Insignificance, A Short Discourse on the Physical and Ideational Economy of Line within Architectural Representation, published by Edition Solitude, Stuttgart

Projects

2004-

Marmalade, Publishers of Artists' book works

2004-

Gordon Shrigley, Architecture

2007-

Filmarmalade, Publishers of Artists' film and video works

2014-

Laura Palookaville, Publishers of Sound Art and Acoustic Detritus

Awards

2000

Artists in Residency, Hospitalfield house, Arbroath, Scotland

1998

Artists in Residency, Academy Schloss Solitude, Stuttgart, Germany

Collections


The Staatsgalerie drawing and print collection,
Stuttgart, Germany

Academy Schloss Solitude archive collection,
Stuttgart, Germany

Musée d'art Moderne, Saint-Etienne, France

Ludwigsburg State Archives, Germany

Private collections

Teaching

2009-12

School of Fine Art, Cass School of Art, London

2010-15

School of Architecture, University of Westminster, London